Thursday, May 31, 2012

Media Man Entertainment Blog: The List - Casino, CBD, Advertising Listing Wars, Gumtree vs Finder vs The Rest of the online digital players and agencies






Flashback

Crown Casino To Host World Series of Poker in 2013...

James Packer's Crown Casino has announced an exciting partnership with the worlds largest poker brand, the World Series Of Poker. Set to take place at Crown Casino in Melbourne from April 4-15 2013, the World Series of poker Asia-Pacific (WSOP APAC) is a huge expansion into the world's largest gaming market.

WSOP Executive Director Ty Stewart said, “Our goal is to establish the worldwide grand slam of poker and use our platform to elevate the game through a series of major championships,”
“With WSOP Las Vegas growing annually and WSOP Europe poised for long-term success after five years, the time is right to turn our attention to the dynamic poker scene in Asia and Australia. Given Crown’s success with the ‘Aussie Millions Poker Championship’, we couldn’t ask for a better partner than Crown to establish the Asia-Pacific’s definitive poker festival.”

Crown Casino in Melbourne already is the home to the world's largest tournament series outside of the World Series Of Poker in Las Vegas with the Aussie Millions series each January attracting the worlds premier players. Crown Melbourne's CEO Greg Hawkins said, “This exciting partnership brings together two industry leaders, and two strong brands, to create a premier poker event in this region”.

“Our agreement firmly aligns with our objective of attracting the very best local and international players, all vying for a coveted WSOP bracelet. We are incredibly proud of what we have achieved with the Aussie Millions and look forward to featuring WSOP Asia Pacific on our poker calendar in April 2013.”

The WSOP brand is one of the worlds most iconic and every poker player in the world dreams of one day being the proud owner of coveted WSOP Bracelet. The WSOP brand is 42-years old and in 2007 it expanded beyond the USA with the launch of the WSOP Europe in London (2007-2010) and subsequently into France (2011). The WSOP APAC is set to tap into the tremendous growth of peer-2-peer gaming in this region.

As part of the agreement with the WSOP, the WSOP APAC events are expected to be televised globally across ESPN. Fox Sports, as seen on Foxtel, already broadcasts games from competitor, World Poker Tour (owned by Bwin.Party Digital Entertainment).

One man who is no stranger to ESPN and the WSOP is Australian local sporting hero, Joe Hachem. Way back in 2005 Joe won the most prestigious poker event in the world, the World Series Of Poker Main Event.

“It’s thrilling to think the World Series of Poker is coming to Australian soil,” said Joe Hachem. “I know first-hand what a life-changing moment winning the WSOP gold bracelet was and how it served as a catalyst for the growth of poker in Australia and Asia. It will be a dream come true to host a worldwide poker event such as this at Crown. I can’t wait.”

The full WSOP APAC schedule is set to be released later this year.




Chris Hemsworth Catches Self From Fame, Calls Hollywood Rise Amazing...

Chris Hemsworth is literally lording over cinema lobbies recently. His arresting larger-than-life posters and stand-ins are displayed as Thor in “Marvel’s The Avengers,” “The Cabin in the Woods” and forthcoming film “Snow White and the Huntsman.”

“[Fame is] absolutely [surreal] I catch myself and I think ‘oh my God.’ I’ve been in the business 11, 12 years and now I’m doing exactly what I dreamed of. It’s funny because when you are right in the eye of the storm you don’t realize it. Then suddenly you catch yourself and go ‘wow, this is amazing.’”

Hemsworth spends most of the awesome Hollywood time going through the motion without really realizing how huge his year has been since he starred in “Thor.” But he gets reminded of the feat through family.

“What’s most enjoyable is when my parents come and visit and I’m able to see it through their eyes. That’s so great. They are blown away every time they come to a set to visit. And it’s lovely going to premieres with them. We all just have a laugh about it.”

For the actor, it seems just yesterday when he came to LA from Australia and struggled to find acting gigs. But looking back now, “I’d had a good year of doing nothing and I was about to go home when these things started happening. I worked with Kenneth Branagh, Anthony Hopkins and Natalie Portman in ‘Thor.’ These are great professionals who I respect enormously and they are such a good bunch of people, too. Then I jumped into ‘The Avengers’ with another amazing cast and from that to ‘Snow White and the Huntsman.’ It’s been incredible. Next I’ll be working with Ron Howard on ‘Rush.’”

A family man off-camera, Hemsworth’s family life is also in the upswing. Happily married to actress Elsa Pataky and a new father to a baby girl born May 14, Hemsworth is one rare example that some people can have it all.

“I am very excited (about fatherhood). As a kid, my parents travelled up to the Northern Territory and all over Australia. I look forward to doing that kind of thing with my family. So becoming a father is another exciting journey for me.”

Playing A Drunk Huntsman

The 28-year-old actor only gets to visit the dark side when filming. In “Snow White and the Huntsman,” the actor stars opposite Kristen Stewart and Charlize Theron. “It’s certainly more the Grimm’s fairytale version of Snow White than the Disney version that we know from the cartoons. ‘Snow White and the Huntsman’ is epic in every way. The scale of the picture is huge. For example, we were shooting 150 people on horseback riding down the beach to storm the Queen’s castle, a fantastic scene we shot down in Wales. I’ve never seen anything this size. And the sets were incredible. They built castles and courtyards and villages one after another.”

He likened the production to the epic battle scenes of “Lord of the Rings” and “Gladiator.” “It’s a sort of on the scale of a ‘Lord of the Rings’ or ‘Gladiator’ film. What was great for me was Rupert Sanders’ (director) vision for the film and the fact that there are fully developed characters. There’s nothing black and white about it. Even the Queen has great motivation for doing what she is doing. She is not just evil for the sake of being evil. Snow White, too, has her own conflicts. The Huntsman, who I play, is a real lost soul and has sort of given up on the world and then sees a bit of light in Snow White. She sees it in him, too, and all of a sudden he is forced to re-think things and find who he really is. It’s a very redemptive story for my character. There are some beautiful character arcs.”

In “Huntsman,” the dwarves are played by Ray Winstone, Ian McShane and Bob Hoskins among others. “The dwarves are amazing. To work with those guys and actually to sit off set and listen to Ray Winstone, Ian McShane and Bob Hoskins chatting away to each other, telling stories, all their banter, was such a treat. What they add to the film is just brilliant. It’s one of my favourite things about the film,” said Hemsworth.

As the Huntsman, Hemsworth said he was “hired as a bit of a mercenary. He’s a drunk and he puts himself into situations where he doesn’t really care what’s going to happen. And he’s doesn’t have much of a choice about whether he will go and capture Snow White. He is kind of forced into it but at the same time he is offered something that The Queen promises. So he weighs his options and agrees to do it. By the time he meets Snow White and captures her, his conscience starts to play into it and he starts to see the light that Snow White has. He begins to question what he is doing.”

As far as Hollywood’s current obsession with fairy tales goes, Hemsworth said it has a lot to do with the stories being familiar to viewers. “I think it’s because fairy tales are familiar to people. These stories have survived so long so obviously there is something enjoyable about them. It can be tough sometimes to get people into the cinema so when you have a film of this scale, with all of the special effects, people want to see it on the big screen.”


Hugh Jackman tweets Wolverine sequel start date...

Uncross those adamantium claws because The Wolverine could go into production in Sydney as soon as August, according to a tweet from Hugh Jackman.

In a reply to a fan who tweeted him about when his Wolverine sequel would start filming, Jackman replied: "(it) starts shooting in August!!!"

The Aussie star, who is currently filming Les Miserables with Russell Crowe, will take a two month break before filming begins so he can bulk up his famous frame for The Wolverine.

The news was announced last month that the state and federal government had secured a deal with 20th Century Fox to have the film shoot locally, bringing some 2000 jobs to Sydney.

It was a welcome relief for fans of Jackman's portrayal of comic book hero Wolverine.

The sequel to X-Men spin-off X-Men Origins: Wolverine has experienced no shortage of trouble in its pre-production stages, with a 2011 start date in Japan having to be canceled after the tsunami.

Black Swan director Darren Aronofsky was attached to the project, before dropping out and being replaced by James Manogold (Walk The Line, Girl, Interrupted).

Jackman says he's looking forward to working with Manogold, who directed him on rom-com Kate and Leopold.

"He’ a great director and he’s very smart.

"I know he’s going to make an amazing film and this is the best script we’ve ever had.” (News Limited)



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Wrestling News Media: Dwayne Johnson aka "The Rock" Bringing Hulk Hogan And Roddy Piper’s Legendary Stories To TV / Movies; NBC Talk, by Greg Tingle

Dwayne Johnson aka "The Rock" Bringing Hulk Hogan And Roddy Piper’s Legendary Stories To TV / Movies; NBC Talk, Andre The Giant, Ric Flair, WWE VS TNA Wrestling / Impact Wrestling, Edge, Dolph Ziggler, Paul Heyman, Brock Lesnar...

Scoop: PartyCasino.com By Bwin.Party Digital Entertainment To Get Andre The Giant Online Slot Game

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Dwayne Johnson and Jerry Bruckheimer are teaming up for a new TV project, set in the world of competitive wrestling in the ’80s. The NBC offering hails from Jerry Bruckheimer Television in association with Warner Bros. Television; Johnson (“Fast Five”) will be an EP on the project but no word on whether he’ll actually appear in the series. Deadline says it will be written by Brent Fletcher and Seamus Kevin Fahey (”Spartacus: Gods of the Arena”), who will co-executive produce alongside KristieAnne Reed. Johnson will next be seen in the Uni tentpole “G.I Joe : Retalliation”.



NBC Buys Dwayne Johnson-Bruckheimer Wrestling Drama Set In 1980s...

NBC is getting in the ring with a put pilot commitment to a drama about the 1980s professional wrestling boom that is executive produced by one of the biggest ’90s wrestling stars, Dwayne Johnson, aka The Rock. The fictional drama set in the world of wrestling in the ’80s hails from Bruckheimer TV, marking a departure from the company’s signature brand of procedurals. It will be written by Brent Fletcher and Seamus Kevin Fahey (Spartacus: Gods of the Arena), who will co-executive produce alongside KristieAnne Reed. Johnson, Bruckheimer and Jonathan Littman are executive producing.

The ’80s, often called “the golden age of wrestling”, marked a surge in the popularity of professional wrestling in the U.S. fueled by the growth of cable television and pay-per-view and the efforts of hot-shot promoters like Vince McMahon. During that period, pro wrestling shifted from a system controlled by numerous regional companies to a system dominated by two nationwide companies: Ted Turner’s World Championship Wrestling and McMahon’s World Wrestling Federation. It featured the launch of WrestleMania and the emergence of wrestling’s first crop of superstars led by Hulk Hugan. The project extends the popularity of period dramas among the broadcast networks, which have two such series, the 1960s-set Pan Am on ABC and The Playboy Club on NBC, premiering this fall. It also expands wrestling’s presence at NBCUniversal. NBC’s sibling network USA carries WWE Raw as well as the revival of WWE Tough Enough. This is the third sale and third put pilot commitment for Bruckheimer TV so far this development season. The company recently set up a Navy SEALs drama at ABC and a procedural about a mom-turned-New York State Trooper at CBS. Fahey, repped by UTA and Underground Films & Management, previously worked with Bruckheimer TV as a writer on the ABC series The Forgotten. Fletcher is with CAA.


Bruce Willis is on board for New Orleans-shot 'G.I. Joe 2,' co-star Dwayne Johnson confirms...

Rumors have been swirling for weeks involving Bruce Willis' reported negotiations to join the New Orleans cast of Paramount Pictures' big-budget, high-octane "G.I. Joe" sequel. This weekend, confirmation finally came -- from none other than "G.I. Joe: Retaliation" co-star Dwayne Johnson.

Johnson, who has been generous with the Twitter updates since arriving in town last month to begin prepping for the film, let the cat out of the bag Saturday (Aug. 20) with the following tweet:

"Welcome brother Bruce Willis to the cast of GI Joe! What an honor. #HeavyArtillery."

Paramount hasn't issued an official announcement yet, but Willis reportedly had been in talks to play Gen. Joe Colton, the character who started the G.I. strike team in the 1980s comic books and who is referred to by many as the "original" G.I. Joe.

He joins a cast that includes Johnson, as Roadblock; Adrienne Palicki, as Lady Jaye; and Channing Tatum, reprising his role as Capt. Duke Hauser from 2009's "G.I. Joe: The Rise of Cobra."

Jon M. Chu ("Step Up 3D," "Justin Bieber: Never Say Never") is directing.

It's only the latest in a string of recent New Orleans-shot projects for Willis, including "RED," "Looper," "Lay the Favorite" and "Fire with Fire."

The big-budget "G.I. Joe 2: Retaliation" started filming last week as part of an extended shoot that is expected to see it continue to Thanksgiving. The film is scheduled for a July 29, 2012, release.


Andre The Giant Slot Game Developed By NextGen Gaming

Legendary wrestler Andre The Giant now has his own slot game. The game was developed by developer NextGen Gaming. The slot game is live at Richard Branson owned Virgin Casino - Virgin Games, and is also expected to soon go live at PartyCasino.com Media Man reports.


TNA Wrestling claims WWE tried to poach its wrestlers...

Two giants in the wrestling world are getting ready to rumble — in a courtroom.

Nashville-based Total Nonstop Action Wrestling has sued World Wrestling Entertainment, accusing WWE of obtaining secret contract information in an attempt to poach TNA's wrestlers.

TNA's top wrestling talent includes veteran wrestler and actor Hulk Hogan and Ric Flair. The company says in the lawsuit that WWE appears to have already tried to lure Flair and is pursuing TNA's other wrestlers.

An attorney for WWE denied the allegations. A message left for TNA's corporate counsel on Friday was not immediately returned.

The lawsuit, which was filed in Nashville this week, claims that a former TNA employee leaked secret information to WWE, which included the terms of the contracts TNA has with its wrestlers.

Armed with the secret contract information, TNA says its Connecticut-based competitor is now in a position to steal its wrestlers by offering better deals.

"The disclosure exposes TNA to potential liability with respect to its contract — WWE knows the details of TNA's contractual relationships with its wrestling talent, which could allow WWE to place itself in the right place, at the right time, with an offer to TNA's talent at just the right place," the lawsuit says.

Jerry McDevitt, WWE's longtime attorney, said WWE has not tried to lure Flair or any other wrestlers under contract with TNA.

The lawsuit claims that former TNA employee Brian Wittenstein went to work for WWE and then leaked the information.

A message left at a phone number listed for Wittenstein in Nashville was not immediately returned Friday.

He signed a contract with TNA saying he would not disclose any of the company's confidential information after his employment ended.

McDevitt said that WWE never asked Wittenstein to disclose the information and that the company fired him when he did. Furthermore, WWE told TNA officials about the breach and sent back the information Wittenstein leaked.

"To us, it's no good deed goes unpunished kind of thing," McDevitt said. "They sued us for doing the right thing."

Davidson County Chancellor Ellen Hobbs Lyle has signed a restraining order barring WWE from using the information to solicit wrestlers from TNA and from interfering with any of its contracts. The order also bars WWE from destroying any of the information.

A hearing on the matter is set for June 11.


TNA - WWE talent legal update...

TNA Impact Wrestling fans are in shock over the news that the company has parted ways with one of its most exciting young talents in Alex Shelley.

Shelley, one half of the Motor City Machine Guns with Chris Sabin, joined the firm in 2004 and is a former Tag Team and X Division Champion. He has previously worked dark matches for WWE but has never officially wrestled for them, but that is set to change if internet reports are to be believed.

Rumour has it that the on-again-off-again WWE Network is looking to run a show based around a cruiserweight division and given the level of interest in Alex from fans he is primed to be heavily featured... should the deal go ahead.

Hot on the heals of this news word broke that TNA had also parted ways with Ric Flair. Flair is alleged to have been involved in several instances involving unpaid substantial bar tabs that the company then had to front. It is also widely understood that the Spike Network had requested Flair no longer wrestle as they believed it was a tad excessive for a man of his age. With Triple H in a power position in WWE it seems a sure bet that Flair will return to the world's number one - sports entertainment (pro wrestling) company in the near future.

In the meantime expect TNA and WWE legal top brass to be watching this space.


Update On Ric Flair Leaving TNA & Possibly Returning To WWE...

It’s been widely reported that Ric Flair is on the outs with TNA, with most people in the company under the impression that he won’t be back. There are conflicting stories as to whether Flair quit or if TNA ended the relationship.

Flair could wind up back in WWE, since he is a close personal friend of Triple H, his daughter just got signed to WWE developmental and WWE could use Flair to help with the WWE Network launch later this year. Under no circumstances would Flair ever wrestle in a WWE ring again after his elaborate "retirement" sendoff at WrestleMania 24. Around the same time Hulk Hogan's daughter, Brooke, was signed to TNA Wrestling.

Flair currently has a lucrative sponsorship deal in place with Coca Cola as the spokesperson for a new energy shot drink, however his financial situation (and lifestyle) is such that he will probably still need to work for years to come.

Whatever the case, there's no doubt that hardcore pro wrestling fans would be wrapt to see Flair return to Vince McMahon's WWE. All that is left to say is WOOOOOO!

The late news...

Many wrestling fans want to see Ric Flair manage Dolph Ziggler to the WWE championship. Such a scenario would compliment WWE storylines nicely, adding to Paul Heyman's convincing managing of an AWOL Brock Lensar, who recently appeared at an UFC event. This is the sort of thing that can boost WWE ratings and PPV buy rates, at a time where WWE is in need of more legit star power and in ring talent. WWE continues to promote its upcoming Australian tour and the word is that there's still quite a few tickets to the live RAW events up for sale which is a sure sign that the WWE needs to add to their in ring talent as well as to add some new blood into the blue chip organisation.

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Tuesday, May 29, 2012

The gambler who wasn't made the list - yet; A serious man; When the crowd funds a flop, what next?

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The gambler who hasn't made the list - yet - 24th May 2012


An honorarble mention in this year’s Rich 200 must go to David Walsh. While his estimated wealth falls short of the $210 million cut-off in this year’s ranking, the Taswegian stands out this year for his ability to make Australians feel uneasy.

It’s not just the contents of his Museum of Old and New Art (Mona), perched on the banks of the Derwent River just outside Hobart, with its excrement-producing Cloaca exhibit, display of human ashes and artist Chris Ofili’s The Holy Virgin Mary depicting the mother of Jesus surrounded by female genitalia and including elephant dung that will discomfort some.

It is the fact that in a year when arguments about gambling reforms have drawn vicious lobbying from the pubs and clubs industry and threatened to bring the machinery of parliament to a halt and when there’s growing concern about gambling generally that Walsh has so overtly used a fortune accrued from wagering to build a temple to art – celebrated by many of the same people who decry gambling.

In fact, the country’s largest private museum, which opened early last year, has contemporary Australian art fans salivating. Its contents include Sidney Nolan’s Snake, a 46-metre-long, nine-metre-high collation of 1620 different painted panels, and works by Brett Whiteley, Arthur Boyd, Charles Blackman and Russell Drysdale. Mona also treads solidly into ancient territory with the mummy and coffin of Pausiris and a cast bronze votive figure of Isis and the Infant Horus, from 600-300BC.

The public loves it. Mona drew more than 330,000 visitors last year – almost half from outside Tasmania. The collection is doing great things for tourism to the Apple Isle and for Australia as a whole.

“The only time I can think of in recent history that [we had] something this big, audacious, generous and gifted was probably in America,” Edinburgh Festival director Jonathan Mills gushed last year. “It’s the Getty, the Guggenheim, it’s on that level.”

And yet, revelations that Walsh’s $175 million project was funded in part by his friend and fellow gambler Zeljko Ranogajec, whose gambling syndicate makes money out of the rebates that totalisers give in exchange for placing large bets – reducing the pool of winnings for ordinary punters placing smaller bets – only adds to the unease.

It’s no doubt a contradiction the private Walsh enjoys. If he were a miner or industrialist, his generosity would be unambiguously celebrated. That’s the sort of background Australia has come to expect of its arts patrons. Still, taking from the poor and giving to middle-class causes is something state-owned lotteries have always done. Walsh could argue he is doing the redistribution more directly, by cutting out the need for a lot of grant applications. Or he might not.

“I invent a gambling system,” Walsh writes in the introduction to his book Monanisms. “Make a money mine. Turns out it ain’t so great getting rich using someone else’s idea. Particularly before he had it. What to do? Better build a museum; make myself famous. That will get the chicks.”

The extent of Walsh’s own fortune is unclear. He has a collection of properties in and around Hobart, one of which he co-owns with Ranogajec, along with the premium Moorilla Estate winery and vineyard and Moo Brew brewery.

It remains to be seen how Walsh views his own cash flow. Is Mona, with its stated $100 million worth of artworks, simply vanity spending? Is Walsh a patron in the traditional sense or should this be seen as an initial investment into a new realm of money-making ventures?

Features of the museum, with its iPod-based self-guide system, which explains exhibits while simultaneously collecting useful data for curators on what visitors are viewing and the length of time they spend at each artwork, along with a bar in the museum selling Moo Brew beers and Moorilla wines lend themselves to replication. A side project is the 10-day Mona Foma (Festival of music and art), which this year ran for the fourth time.

It may all be just another investment. The 50-year-old Walsh has already said in interviews he intends to exploit his high-profile attraction.

“I want to use Mona as a marketing tool to drive some products that I hope will make some serious money.” (Fairfax Media)


A serious man - 28th May 2012...




Tom Waterhouse just lost $400,000. It's 2.25pm on a Saturday in Melbourne and Waterhouse is working, with 20 of his staff, in his weekend "office", a gloomy bunker at Moonee Valley Racecourse. The course itself is a ghost town - there are no races here today - but the bunker, a low-ceilinged and exceedingly unglamorous space, is animated by the kind of urgency you see in a termite colony that has just been kicked. There are lots of computers, screens, mobiles, TVs tuned to six race meetings, and young guys with fashionable facial hair - Waterhouse's "wagering officers" - who yell out stuff like "The eight in Sydney to win $5000" or "$4000 each way on Top Fluc One!"

At the centre, meanwhile, is Waterhouse, standing at a high table, sucking on a vitamin C tablet. He is dressed in a dark-blue suit and mint-green tie. His eyes are blue, his skin pale, his teeth ruler straight and pearly white. On the table before him are four computer screens and 10 mobile phones, the numbers of which are known only to VIP clients, 100 "high net worth individuals" whose minimum bet is $1000. He won't tell me their names or, in fact, anything about them, except that all but one are men.

The first thing you notice about Waterhouse is that he is the exact opposite of what you expect. He doesn't drink alcohol or coffee, nor does he smoke or swear. Instead, he says "Oh, gosh". He is distractingly, almost distressingly polite: "When I first met him he was so nice I thought he was taking the piss," his marketing manager, Warren Hebard, tells me. Above all, he does not get ruffled. Getting ruffled would indicate either a lack of control, which he has in spades, or a surfeit of emotion, which he hasn't. And yet, like his mega-risk-taking grandfather, Bill, Waterhouse is known for taking on the biggest punters, for winning and losing bathtubs full of money in the course of an afternoon. In 2008, he lost $1.175 million in 10 minutes, only to make it all back by sundown. Not long after, he lost a further $2 million (for good, this time). When, this afternoon, it becomes apparent that he has just done $400,000 on one race, he issues only the slightest wince, pops another vitamin C and returns to his screens.

Waterhouse, who turns 30 this June, is the managing director of www.tomwaterhouse.com, one of Australia's largest corporate bookmakers. The company, which has offices in Sydney, Melbourne and Darwin, offers odds on not only thoroughbreds, harness racing and greyhounds but also on rugby league and rugby union, cricket, tennis, Australian rules and, as Hebard puts it, "every other sport you can think of, from Swedish handball to two flies crawling up a wall".

Waterhouse makes the most of his family name, which has been intimately associated with bookmaking and horse racing for 112 years. (His father, Robbie, still works as a bookie; his mother, Gai, is a celebrated trainer.) But his real business is in creating as many markets as possible for punters to wager on: Waterhouse now offers odds on everything from who will win Dancing with the Stars and the Miles Franklin Literary Award to the final sale price of painter Edvard Munch's masterpiece, The Scream. "As long as it meets my licensing conditions and it passes the smell test, meaning it's not too weird, I will bet on anything," he says.

Perhaps more than any other bookie, Waterhouse embodies the changes that have recently transformed Australian gaming. Ever since the easing, in 2008, of regulations governing cross-border betting and gambling advertisements, overseas and domestic bookmakers have been battling each other for a piece of the local market, where punters wager more than $20 billion a year. Corporate bookmakers such as the foreign-owned SportingBet and SportsBet barrelled in, going toe to toe with on-course operators, including Waterhouse, who had been working "on the rails" since 2003, building his VIP business under the tutelage of father Robbie and grandfather Bill. By 2008, Tom was Australia's biggest on-track bookie; at the Melbourne Cup that year, he held more than $20 million over four days, more than all the other bookies combined.

But there is only one Melbourne Cup a year. Thanks to the advent of pay TV and online gambling, normal race-day attendances plummeted throughout the 2000s. "I haven't been to the races in three years," Waterhouse says. "It's dead. At the same time, I realised people still want to have a punt, they just wanted to do it from their couch or on their iPhone."

And so, in 2010, Waterhouse launched his online business, which he promoted in a multi-million-dollar campaign of free-to-air, print and online advertisements, including paying $70,000 to have his face plastered on a Melbourne tram. The company now has 80,000 clients, boosted by the purchase last year of the databases of two corporate bookmakers who had recently gone bust. Waterhouse employs 60 staff, and is recruiting overseas for 40 more. Robbie Waterhouse calls the strategy "growing broke", explaining, "The business is expanding at such a rate that it requires every dollar Tom has."

According to Warren Hebard, the marketing spend is now $20 million a year, a mere fraction of company turnover, which he puts in the "hundreds and hundreds of millions".

Recently I had dinner with Waterhouse at Nobu, a Japanese restaurant in Melbourne's Crown complex, where he lives in a $1900-a-night villa apartment on the 31st floor. Waterhouse has a perfectly acceptable home in Sydney - an apartment in Balmoral on Middle Harbour, just around the corner from his parents, that he bought in 2009 for $3.5 million. But Victoria's more favourable gambling laws mean he spends half his life south of the border, necessitating a yoyo-like schedule of at least three business-class flights to Melbourne and back a week. Such an arrangement is fine for now - he and wife Hoda Vakili, whom he married last year, don't have any children, a situation Waterhouse plans to remedy.

"I want to have six kids," he says. "As soon as possible."

"Seriously?" I ask.

"Seriously," he says.

Thanks to his 2006 appearance on Dancing with the Stars (he was knocked out in the third round), and his frequent partying with the likes of Charlotte Dawson and Tim Holmes à Court, Waterhouse has become known as something of a red-carpet junkie. He certainly knows how to spend his money: there are the skiing trips to Aspen, the holidays in Italy and, of course, the yearly pilgrimage to London, where he attends Royal Ascot and picks up a new suit from his father's tailor in Savile Row. His marriage last year was similarly five-star: bucks' and hens' nights in London, ceremony in the Sicilian seaside town of Taormina, followed by, as one newspaper put it, "lunch in Switzerland" and the honeymoon in Monte Carlo.

Not surprisingly, plenty of people don't like Waterhouse. The consensus is that he is too rich, too young and too lucky. Others don't like the fact he's a bookie. "Self promoter, making $ off the misery of others," one tabloid newspaper reader commented after an article on him last year. When news emerged that Vakili had undergone emergency surgery in January after injuring herself in Aspen, readers responded with an outpouring of indifference: "Should wipe the smug smile off their faces for a few weeks at least," one wrote.

I'm as jealous as the next guy, but "smug" isn't the right word for Waterhouse, who, in person at least, is self-effacing to the point of invisibility. He is softly spoken and reflexively formal. "Mum thinks I dress very boringly," he says. "Always in a dark suit and white shirt." When he was nominated for the Cleo Bachelor of the Year Awards in 2005, he was one of only two people out of 50 who opted to keep their shirts on for the photo. (The other was Guy Sebastian.) For now, he says, his life is defined by work: he goes to bed at midnight and rises at 7am, and takes only one day off a week. "Until I was married I worked seven days a week," he says. "Even when I'm on holidays I'm on my computer six or seven hours a day."

He is partial to fast cars: he has owned a Porsche 911 and currently drives a silver Mercedes SLS Gullwing (retail price: $496,000). But to picture him driving it fast, let alone crashing it, is to picture the Pope smoking crack. His optimum mode of relaxation is going to the movies with Vakili, which he does at least once a week. "We'll get the choc tops, a Slurpee," he says. "It's really great."

He also likes tennis, though playing him requires a certain kind of patience. "This is the problem with Tom at tennis: he is so formulaic and robotic," friend Jason Dundas says. "He never goes for a winner, because he knows the formula is that whoever can hold the rally longest wins. And so he plays the game to never hit a foul, and just hits these lollipops; he never goes for that Rafael Nadal cross-court winner because he knows that the chance it will go out is higher than it will go in, and he calculates that all in his head and wins the game every time. It's so annoying."

It's impossible to separate Waterhouse from his family, which has, since the First Fleet, shown a Flashman-like knack for controversy. When Governor Arthur Phillip was speared by Aborigines at Manly in 1790, it was Lieutenant Henry Waterhouse who was there to pull out the spear; Henry also brought the first thoroughbred racehorse to the colony, along with the first merino sheep. Later the family operated a Sydney ferry service, ran pubs and a sly-grog operation, even dabbled in opium smuggling.

The first bookmaker in the family was Charles Waterhouse, who got his licence in 1898, but it was his son, Bill, who would take it to another level. Through a combination of brains, balls and ruthlessness, Bill, who had initially practised as a barrister, became arguably the world's biggest gambler, a "leviathan bookie" who in the 1960s took on high-stakes punters like "Filipino Fireball" Felipe Ysmael and "Hong Kong Tiger" Frank Duval in million-dollar betting duels.

With his suit, hat, tote bag and cigarettes - 100 a day at one stage - Bill, who turned 90 this year, epitomised the old-style bookie. In his autobiography What Are the Odds?, he writes about arming himself with a .38 Smith & Wesson in the 1970s, and about his various entanglements with gangster George Freeman, "marijuana salesman" Robert Trimbole and the late Kerry Packer, who apparently died owing him $1 million. ("You can go and get f...ed and whistle for it," Packer reportedly told him. "You'll get nothing from me.")

"I don't pretend to be Simon Pure," Bill Waterhouse writes. "I have sometimes cut corners to get what I needed, but I am certainly no crook." Yet his name has been associated with virtually every scandal in horse racing bar the death of Phar Lap. Chief among these was, of course, the Fine Cotton affair of 1984, in which a handy sprinter named Bold Personality was painted with Clairol hair dye and substituted for a weaker horse called Fine Cotton. Bill and son Robbie, who had put money on the horse, were both charged by the Australian Jockey Club with "prior knowledge" - something they have always denied - and banned from racetracks for 14 years.

Tom insists he can't remember much about it: "I was two years old!" he tells me. Nor did it feature much in conversation. "It's a little bit like religion; I try not to bring it up."

It's tempting to see in the younger Waterhouse a reaction, conscious or otherwise, to the family's picaresque backstory. But it seems Tom has always been serious. Like his father before him, he attended the elite Sydney private school Shore. But where Robbie had gained a name for running a student betting ring, Tom became a senior prefect and house captain. "He is a seriously, like very, very, very ambitious guy," long-time friend David Chambers says. "He controls his emotions, he doesn't let them control him."

Chambers, who grew up around the corner from Waterhouse, says "Tom was always super competitive ... and a little bit bizarre. One day he came to school and said, 'You guys are all taking sick days: that's soft. I am never going to take a sick day.' He just thought it would be fun. And we were all like, 'Yeah, whatever.' But he never did, the whole time we were at school."

Horse racing dominated the Waterhouse home. "It was always discussed around the dinner table," Robbie says. "Every aspect of it." Tom got his first horse, a Shetland pony, for Christmas when he was five. Yet he had no interest in an on-course career. Instead, after school, he started a commerce degree, majoring in finance and marketing, at Sydney University. "I wanted to go into finance," he says. "It seemed like a good industry to be in."

Then one day in 2001, Robbie asked him if he'd come and "help out on the bag" at Rosehill. "Within about 20 minutes I was hooked," he says. Waterhouse was only six months into his course, but he immediately rearranged his timetable, moving his classes to Monday and Tuesday so that he could attend the races for the rest of the week. He got his licence for the dogs, then for thoroughbreds. Coming from racing royalty had its advantages. Gai, daughter of legendary trainer Tommy J. Smith, taught him horses; Robbie taught him analysis. ("Dad still gets up every day at 3am so he can do seven hours studying all the results and times.") And Bill showed him how to gamble. (Bet bigger if you're winning, smaller if you're losing, and always keep an eye on cash flow.)

Yet there were mishaps. In 2007, one of Waterhouse's biggest punters, the CEO of a big listed company in the US, placed a bet with him of $1.2 million. As he had never taken a bet that big, Waterhouse laid off the risk by "betting back" $800,000 with other bookies. When the CEO's horse lost, "I thought, 'Oh gosh, I've won $400,000! I'm going to buy a Ferrari!' But come Monday I had to pay $800,000 to those other bookies while my guy took the knock [refused to pay]."

Waterhouse pursued the debt through the courts, but has never got all of it back. (Courts are a recurring motif with bookies. In 2010, Waterhouse was in the Federal Magistrates Court chasing $2.6 million that he said Sydney businessman Andrew Sigalla owed him. And in January this year he placed a caveat over brothel-owner Eddie Hayson's Parramatta Road business, Stiletto, as security for $1 million in gambling debts.)

The movement of money away from the track and onto the internet has done much to sanitise racing. "In the days of the SPs, if you took the knock they'd come round and cut your toes off," veteran race writer Max Presnell says wistfully.

The perils of 21st-century gambling are more prosaic. Addiction. Bankruptcy. Family break-up. Waterhouse was raised in a religious household. "We went to church every Saturday night," he says. "I still pray occasionally, just to reflect on family and loved ones." But the moral dimension of his business doesn't trouble him. "I always say to people who bet with me, 'Anything in excess is bad for you: shopping, eating, gambling.' "

When in doubt, he invokes what he calls The Toilet Test: "If you feel uneasy about the bet, if you need to duck off to the toilet all the time, then you're betting too much. It's like anything else - if you feel uncomfortable doing it, chances are it's not a great thing to be doing."

The boardroom of Waterhouse's North Sydney office is an impressive space: there's a giant antique table, a cabinet full of trophies and a life-sized portrait of Bill Waterhouse, form guide folded under his arm, standing beneath the Harbour Bridge. Tom is explaining how he prices his odds when I spot, high up in the cabinet, Bill's original white leather tote bag.

"Do you want to see it?" Tom asks excitedly.

"Yes," I reply, imagining it to be full of interesting stuff: betting stubs, track programs, old pencils worn to the nub. But when Tom opens it up, it's empty. "Oh," I say, disappointed.

"It's basically just like a big purse," Tom says. "That's the way it worked." (Fairfax Media)


When the crowd funds a flop, what next? - 29th May 2012


Backers of high-tech video glasses have had enough of waiting for their crowdfunded returns.

Crowdfunding website Kickstarter was used to raise $US340,000 for a project to build a pair of HD-video recording glasses, but almost a year on, people who invested in the project have not received their products and the project creators have seemingly disappeared.

Kickstarter has denied responsibility for a growing number of apparently failed crowdfunding projects, but donors who claim to have been ripped-off are fighting back.

Crowdfunding is a way for individuals to make their dreams a reality, as touted by websites like Kickstarter and IndieGoGo which provide the social media tools to tap friends, family, and their extended networks for the capital needed to build a product.

In the embryonic stages the quirkier ideas garner media attention and are oversubscribed, often raising more money than initially requested.

While the success stories are well-documented, there is a growing list of stillborn projects where money has been collected by the project owner (95 per cent) and by Kickstarter (five per cent) but donors haven't received their promised returns.

The websites stress the responsibility rests with the project owner and the donor - they shy away from calling them "investors" as this would attract different regulatory compliance - but some frustrated donors are taking action.

The ZionEyez project trajectory is typical other Kickstarter consumer tech product success stories, but so far it doesn't feature the same happy ending.

The four founders asked for $US55,000 to build Eyez, a pair of glasses that could record HD video. After extensive media coverage (including by Engadget, Mashable, Forbes and Rolling Stone) it raised $US343,415 from 2106 backers when the funding round closed on July 31.

Since then the founders have missed the original delivery deadline of the northern "Winter 2011" and donors' growing concerns over product delivery are not being directly addressed.

There are more than 850 comments on the project page, some asking for a class action, and including one donor's correspondence with ZionEyez.

"Thanks for reaching out to us. We will be releasing another engineering update for our KS Backers in the near future. Thanks for your patience and support!"

Bill Walker was one of the donors who committed the $US150 required to secure a pair of the glasses.
In an attempt to claw back the donations he built the site zionkick.com to organise legal action against the founders of the ZionEyez project.

They must provide a reasonable time for the product to be delivered, he said.

"At the present time we (interested backers) are playing the waiting game," Walker wrote via email. "We have to give them a period of time in which to perform before filing fraud charges. When a period of time elapses that would satisfy the legal eagles...then we attack. Until then we bide our time."
"Their attorney CEO knows the heat is on so he might be insisting they produce something, even if it's on the level of the $US59.95 products currently on the market. Produce anything that will satisfy the spirit of what they said they were going to produce.

"In the meantime Kickstarter takes their 5 per cent and insists the backer is totally responsible for vetting the money grubbers."

Kickstarter did not respond to specific questions about whether it would intervene in the ZionEyez project, and pointed to their frequently asked questions (FAQ) page which says the creator is responsible for fulfilling a project's promise.

"Kickstarter doesn't issue refunds since transactions are between backers and creators, but we're prepared to work with backers as well as law enforcement in the prosecution of any fraudulent activity. Scammers are bad news for everyone, and we'll defend the goodwill of our community."
ZionEyez did not respond to requests for comment.

Crowdfunding projects fall outside the general consumer protections afforded by the Australian Consumer Law and NSW Fair Trading's jurisdiction, according to a Fair Trading spokesperson.

This is because the project is not a form of business trading, and a consumer-supplier relationship does not exist. The risk is amplified when dealing with international sites, the spokesperson said.
"Whenever dealing with an entity that is from outside Australia, consumers should be aware that should something go wrong, redress can be much more difficult to achieve than when the trader is domestically-based," the spokesperson said.

Donors do have some avenues for legal recourse but this could be expensive, according to Rouse Lawyers special counsel Kurt Falkenstein, who specialises in start-ups and has helped some raise money via crowdfunding.

The crowdfunding websites should take responsibility, he said.

"The principles of contract law still apply to crowdfunding – and if you misrepresent or falsify information that induces someone to enter a contract, you are liable – so the terms and conditions of the crowdfunding platform are vital," Falkenstein said.

"The hard thing with contract law is enforcement – are you going to go to court over tens or hundreds of dollars?

"Consumer law may apply where goods or services are promised but not delivered – you can't promise to provide something and not do it – but then you are relying on the ACCC.

"For me, if hundreds or thousands of people are ripped off, the platform should help those people band together and enforce their rights."

There is always a risk that these websites can be exploited, according to Alan Crabbe, co-founder of local crowdfunding website Pozible. He did not respond to a question whether the site had any undelivered projects.

There are safeguards against this, including filtering projects based on national/state investment laws, checking the project creator and holding photo ID, and tracking unusual activity on projects, he said.

Crowdfunding websites are not legally responsible for failed projects, according to StartSomeGood.com co-founder Tom Dawkins, but this does not mean they won't be judged in the court of public opinion.
The key is to curate the projects , he said, so the sites, project creators, and donors are ensured of the greatest chance of success.

"We don't believe we are legally or functionally responsible but, after the project concludes, we know people will hold us responsible anyway."

"We reject a lot of projects because they're too fantastic and unachievable. We try and make sure that we do feel proud of every project on our site, that we feel comfortable and stand by it."

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Thursday, May 24, 2012

Australian Government may legalise live online gambling; NRL, Crown Limited; The Star, Marvel Games

Australian Government may legalise live online gambling; Crown Limited gambler case; The Star entertains with musical in Sin City Sydney; World Series of Poker to Melbourne; Marvel Entertainment Online Games...


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The Federal Government has flagged potential amendments to gambling laws that would allow people to bet online during live sporting events.

The Government is currently reviewing interactive gambling laws and is talking with key stakeholders about possible changes.

Currently, punters can only bet on sporting events as they happen in person or over the phone.

However Communications Minister Stephen Conroy has flagged a possible change to allow people to bet online during live events like last night's State of Origin clash.

"While the State of Origin was on last night, you can pick up a phone and make a bet, [but] you can't go online and make a bet," he told Channel Nine.

"So you've got a situation where if you make the phone call it's legal, if you try and do it online it's illegal.

"And that seems an anomaly ... this is one of the issues that needs to be looked at so that you've got consistent laws."

Reports in News Limited publication Herald Sun state that Merrill Lynch gaming analyst Mark Bryan wrote in an email that Mr Conroy's department has provided the industry with a brief on draft legislation. Other firms such as the Media Man agency, Bwin.Party digital entertainment, World Poker Tour and World Series of Poker have also enjoyed positive liasions with various Australian government departments regarding gaming legislation in Australia.


Crown Casino To Host World Series of Poker in 2013...

James Packer's Crown Casino has announced an exciting partnership with the worlds largest poker brand, the World Series Of Poker. Set to take place at Crown Casino in Melbourne from April 4-15 2013, the World Series of poker Asia-Pacific (WSOP APAC) is a huge expansion into the world's largest gaming market.

WSOP Executive Director Ty Stewart said, “Our goal is to establish the worldwide grand slam of poker and use our platform to elevate the game through a series of major championships,”
“With WSOP Las Vegas growing annually and WSOP Europe poised for long-term success after five years, the time is right to turn our attention to the dynamic poker scene in Asia and Australia. Given Crown’s success with the ‘Aussie Millions Poker Championship’, we couldn’t ask for a better partner than Crown to establish the Asia-Pacific’s definitive poker festival.”

Crown Casino in Melbourne already is the home to the world's largest tournament series outside of the World Series Of Poker in Las Vegas with the Aussie Millions series each January attracting the worlds premier players. Crown Melbourne's CEO Greg Hawkins said, “This exciting partnership brings together two industry leaders, and two strong brands, to create a premier poker event in this region”.

“Our agreement firmly aligns with our objective of attracting the very best local and international players, all vying for a coveted WSOP bracelet. We are incredibly proud of what we have achieved with the Aussie Millions and look forward to featuring WSOP Asia Pacific on our poker calendar in April 2013.”

The WSOP brand is one of the worlds most iconic and every poker player in the world dreams of one day being the proud owner of coveted WSOP Bracelet. The WSOP brand is 42-years old and in 2007 it expanded beyond the USA with the launch of the WSOP Europe in London (2007-2010) and subsequently into France (2011). The WSOP APAC is set to tap into the tremendous growth of peer-2-peer gaming in this region.

As part of the agreement with the WSOP, the WSOP APAC events are expected to be televised globally across ESPN. Fox Sports, as seen on Foxtel, already broadcasts games from competitor, World Poker Tour (owned by Bwin.Party Digital Entertainment).

One man who is no stranger to ESPN and the WSOP is Australian local sporting hero, Joe Hachem. Way back in 2005 Joe won the most prestigious poker event in the world, the World Series Of Poker Main Event.

“It’s thrilling to think the World Series of Poker is coming to Australian soil,” said Joe Hachem. “I know first-hand what a life-changing moment winning the WSOP gold bracelet was and how it served as a catalyst for the growth of poker in Australia and Asia. It will be a dream come true to host a worldwide poker event such as this at Crown. I can’t wait.”

The full WSOP APAC schedule is set to be released later this year.


In other gambling and gaming news...

Coast high-roller fails to recover millions...


A Gold Coast businessman who turned over almost $1.5 billion in 14 months at Melbourne's Crown Casino has lost his bid to recover more than $20 million he lost there.

Property developer Harry Kakavas spent $1.479 billion on 30 separate visits to Crown between June 2005 and August 2006, winning and losing vast sums, but ultimately accruing losses of $20.5 million, a Melbourne court has heard.

Mr Kakavas claimed Crown knew he suffered from pathological gambling and lured him back to the casino with the use of a private jet and cash and entertainment gifts.

But on Monday the Court of Appeal upheld an earlier Supreme Court decision that the casino did not take advantage of his gambling habits.

Appeal judge Justice Bernard Bongiorno said Mr Kakavas alleged his pathological gambling condition impaired his ability to make rational decisions about the amount of money he gambled.

Mr Kakavas would gamble six-figure sums on hands of baccarat, which take a matter of seconds to play.

But Justice Bongiorno said the fact Mr Kakavas was able to negotiate favourable terms for himself at Crown demonstrated his ability to make decisions in his best interest.

"When gambling at Crown he had negotiated the terms on which he gambled and had threatened to and in fact had withheld his custom from Crown when he did not get what he wanted," Justice Bongiorno said.

"These are not the characteristics of someone unable to conserve his own interests."

Justice Bongiorno found the allowances Crown offered to Mr Kakavas were not out of step with those typically offered to high-rolling gamblers.

He also rejected a claim by Mr Kakavas that he had lost $30 million in one losing streak at Crown in 2006.

He said on one occasion in March 2006 Mr Kakavas returned home to the Gold Coast with $14 million in winnings.

"That he lost overall is not in any way surprising," he said.

"The longer a person plays, the more certain it is that he will ultimately lose. Were it otherwise casinos would fail."

Mr Kakavas was ordered to pay Crown's legal costs. (AAP)


The Star entertains with musical: An Officer and a Gentleman...

Australian casinos and entertainment do mix!

Last week An Officer and a Gentleman enjoyed its Sydney, Australia premiere at The Star's Lyric Theatre at Ultimo.

The red carpet premiere was well attended by media and celebrities, and its understood the production is likely to match if not well exceed the substantial hype.

Producer John Frost said that more hard-won world premieres were in store.

"Not just Australian stories, but international stories that can be exported to international markets," Frost said.

Producers from Germany, South Korea, Canada, New York and London were at tonight's opening.

Frost said the $6 million budget for An Officer And A Gentleman was about half what it might have been if it was developed in New York or London.

"Things are just easier and cheaper here, and in New York and London, you're so far out of town (doing the set building) trying to get it right and get it fixed," he said.

Frost said the process of developing new musicals, as opposed to simply remounting a successful overseas version, would help build production skills for the creation of new musicals in the future.

"What this is doing is establishing people like (An Officer And A Gentleman) director Simon Phillips, his choreographer and his assistants, to do new stuff they're not used to doing, because they are used to doing stuff that's already been done and what we are trying to do is to broaden that experience so a lot more directors and a lot more writers get that opportunity," Frost added.

Later next year and early 2014 Frost expects to mount world premieres of Dream Lover: The Bobby Darin Show and Red Dog. His production of Doctor Zhivago is approaching the end of a six month-long run in Seoul and will then be mounted in New York.

The Media Man and Music News Australia agencies were overheard agreeing "Another world class production put on by The Star and Lyric Theatre".

The pitch:

A new musical based on the Paramount Pictures-Lorimar movie "An Officer and a Gentleman" written by Douglas Day Stewart

Music and lyrics by Ken Hirsch and Robin Lerner
Book by Douglas Day Stewart and Sharleen Cooper Cohen
Director Simon Phillips
Choreographer Andrew Hallsworth
Set and Costume Designer Dale Ferguson
Lighting Designer Matt Scott
Musical Director Dave Skelton
Associate Director Dean Bryant
Producers Sharleen Cooper Cohen and John Frost

In association with Paramount Pictures and Warner Bros Theatre Ventures

Based on the hugely successful Academy Award-winning film, this new production has been adapted for the stage by the original screen writer, Douglas Day Stewart and co-writer Sharleen Cooper Cohen, with music and lyrics by Kenny Hirsch and Robin Lerner. It will be produced by Sharleen Cooper Cohen and John Frost, and directed by Simon Phillips (Priscilla Queen of the Desert The Musical).

The talented cast that will bring this timeless story to life includes Ben Mingay (Jersey Boys) as Zack Mayo, the classic angry young man who grew up in a "sewer" and dreams of flying jets and parlaying this skill into a better life; Amanda Harrison (Wicked) as Paula Pokrifki, the young factory worker who dreams of becoming a nurse and finding a better life without selling out for it, like everyone around her; Kate Kendall (Next to Normal) as Lynette Pomeroy, Paula's best friend who is determined to marry a flier to escape her dead end life, no matter what it takes; and Alex Rathgeber (The Phantom of the Opera) as Sid Worley, the likeable Okie son of a Navy Admiral who is the class "superstar" at the Naval Academy.

A hit across the ages, the 1982 film has become a phenomenon in cinema history, recently listed by the American Film Institute as one of the top ten love stories in cinema history. Featuring the iconic hit song "Up Where We Belong" and a new score by hit song writer Ken Hirsch and Grammy nominee Robin Lerner this timeless tale of struggle, success, friendship and love promises to be the musical blockbuster of 2012.

An Officer and a Gentleman is a triumphant story of working class heroes surviving great tests; a classic modern day love story about a working class boy and girl who must overcome their upbringing and personal weaknesses to accept life and love.

His Story, Her Romance.

The Star's history of celebrities...

Hulk Hogan and Ric Flair (ok, before it was rebranded The Star - back in Star City Casino days), Al Pacino, Bob Geldof, Russell Crowe, Paris Hilton, Afrojack, will.i.am, Snoop Dogg and so the list goes on.


Legally Blonde To Open 4th October 2012...

The Sydney Lyric Theatre is also going to be host to the famous musical 'Legally Blonde'.

Legally Blonde The Musical is the hilarious story of college sweetheart and homecoming queen, Elle Woods - a girl who doesn't take no for an answer. When her boyfriend dumps her for someone "serious", Elle puts down the credit card, hits the books and heads for Harvard Law School! Along the way, she proves that being true to yourself never goes out of style.

Legally Blonde The Musical - Winner of Best Musical 2011 Olivier Awards and a smash hit running into its third year on the West End was created by a world-class creative team led by Tony Award-winning director Jerry Mitchell.

The musical opens 4th October 2012.


Marvel Entertainment - The Avengers Boosting Marvel Slots Popularity; Media Agency...

The box office success of Marvel Entertainment comic book based movie 'The Avengers', is boosting the popularity of Marvel slot games across internet networks, the Media Man agency has reported.

A Media Man spokesperson said "Marvel themed games have been popular ever since they were first released, but the success of Marvel Entertainment movies such as Thor, Captain America and The Avengers has at least doubled their popularity according to our data. A new rumoured Hulk movie or TV series, and the upcoming release of The Wolverine movie, staring Australia's own Hugh Jackman, will only further spike online game popularity."

Bwin.Party Digital Entertainment has licensed the Marvel deal, and the games can be found at Hitwise top ten website portals such as Media Man, which has a b2b in place with Bwin.Party and PartyCasino.

More Marvel Entertainment games are in the works and the Media Man agency will be providing detailed reviews on the games as more information comes to hand.

Gamers and gamblers, as always - bet with your head, not over it, and have fun.

Marvel Entertainment movie game fans and true believers...there's only one thing to say - Excelsior!

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Tuesday, May 22, 2012

The Nullarbor Nymph opens and plays red carpet at Entertainment Quarter, Fox Studios, Sydney, Australia

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Merrick & The Highway Patrol threw a huge premiere for ‘The Nullarbor Nymph’ tonight at Hoyts, Fox Studios Australia - Entertainment Quarter, in Sydney.

'The Nullarbor Nymph' was made in the small Australian town of Ceduna and stars mainly local farmers. The film’s director Mathew Wilkinson had to clean toilets for months, just so that he could fund it.

The movie has been turned away from every film festival in the world, so Merrick & The Highway Patrol want to get behind this tiny Aussie film by rolling out the red carpet and giving it the premiere it deserves!

'The Nullarbor Nymph' is a mockumentry following two Water Australia employees as they travel across the Nullarbor Plain only to be hunted down by the mythological creature the Nullarbor Nymph, a blonde, seductive temptress wearing kangaroo skins with a taste for destruction.

Director: Mathew J. Wilkinson
Writer: Mathew J. Wilkinson
Stars: Douglas Feary, Paul Hayman and Jessica Sterling

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Gambling on advertising billboards in Sydney NSW; Packer and Singleton: You Bet, by Greg Tingle

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With the 'Mad Men' TV series all the rage in Australia, Hollywood and all points in between, we thought the timing was excellent to bring you up to speed on some roadside advertising news in Sydney, Australia.

A mega cashed up company part-owned by media tycoons James Packer and John Singleton has started to cash in on major Sydney motorways, headed up by the M2 motorway.

Construction work on advertising billboards owned by Packer and Singleton's firm first started about 12 months ago and some campaigns are already up and running beautifully.

The firm is not disclosing its full client or campaign list, as you would expect - not that anyone else could likely give them much of a run for their money.

These are not any average billboards... they cost about $500,000 each all told, "Packer and Singo" are looking for strong return on investment and are looking to stand out from the pack.

The concession to erect billboards over the M2 was purchased by Manboom, a company owned by JP, Singo and Robert Whyte, from the M2's owner, Transurban, back in 1998. Talk about forward planning.

For more than a decade Manboom was unable to erect signs over the road because of road blocks from local councils! The M2 passes through three council areas and only one, Hornsby, would permit advertising billboards.

But in 2007 the then planning minister, Frank Sartor, amended legislation that stripped away councils of the right to determine policies for signs over motorways. The Department of Planning became the sole consent authority for motorway advertising.

The Media Man agency strongly suspects that a strained economy (and diluting council coffers) lessened council opposition to the advertising proposal put forward. You know... "Money talks and BS walks", whispered a Media Man insider.

It is not clear how much income Manboom makes from the concession to advertise over the congested M2. The firm has in place an annual payment deal with Hornsby Council, the Hills Shire and the City of Ryde in return for its signage rights.

It also pays for public benefit works commissioned by Roads and Maritime Services.

Transurban's spokesman said months ago: "The installation of advertising signage will fund improvements to the aesthetics and operation of bridges on the motorway, including new bridge facade cladding.

"The project will deliver safety improvements to the motorway and a designated source of ongoing funding for safety enhancements to the motorway," he said.

"The use of advertising signage provides an important alternative source of funding for infrastructure improvements and enhancements."

The M2 is in the middle of a two-year upgrade.

The former RTA last year opposed four of Manboom's 15 proposed signs on safety grounds. It cited a fear about "sign clutter" and a concern the angle of one billboard would distract motorists.

The Department of Planning upheld the RTA's concerns about the four signs.

Some studies say billboard advertising helps keep drivers alert, whilst others suggest they are a dangerous distraction. Readers - what do you think? A gamble with safety or a gamble on the investment?

Its a safe bet that Packer, Singleton and Whyte have done their sums.

In the meantime plenty of other Sydney councils are watching the project closely to see if they may be able to also benefit financially from extra advertising on their roads.

*the writer owns shares in Crown Limited, Network Ten and Virgin.

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Monday, May 21, 2012

Kristen Stewart and Chris Hemsworth Bring The Enchantment of SNOW WHITE AND THE HUNSTMAN on tour to Sydney this June

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Kristen Stewart, Chris Hemsworth and Charlize Theron at the world movie premiere of Snow White and the Huntsman in London.

Twilight superstar Kristen Stewart and Australian favourite Chris Hemsworth, hot off the phenomenal success of Avengers, join visionary Director Rupert Sanders on a tour to Sydney for the Australian premiere of their epic action-adventure SNOW WHITE AND THE HUNSTMAN, taking place in true style at Event cinemas, Westfield Bondi Junction June 19. The trio will be enchanting press on Tues 19th and Wed 20th June to promote the breath-taking new vision of the legendary tale, opening in Cinemas across Australia on Thursday June 21.

Kristen Stewart (the Twilight saga, On the Road) plays the only person in the land fairer than the evil Queen Ravenna (Academy Award® winner Charlize Theron of Prometheus, Hancock) who is out to destroy her. But the wicked ruler never imagined that the young woman who has escaped her clutches and now threatens her reign has been training in the art of war with a Huntsman named Eric (Chris Hemsworth of Thor, The Avengers) who was dispatched to capture her.

The epic action-adventure is brought to the screen by Joe Roth, the billion-dollar blockbuster producer of Alice in Wonderland, and, in his feature-film debut, acclaimed commercial director and state-of-the-art visualist Rupert Sanders.


Chris Hemsworth, Kristen Stewart Sydney bound for Snow White and the Huntsman premiere...

White-hot Aussie star and new dad Chris Hemsworth is set to return home and he's bringing Kristen Stewart along for the ride.

The Phillip Island-raised actor, who is currently starring in the world's highest-grossing flick The Avengers, is set to walk the red carpet at Bondi Junction on June 19 for the Aussie premiere of his upcoming blockbuster Snow White And The Huntsman.

The film's director Rupert Sanders and Stewart, who plays Snow White, will also attend, however co-star Charlize Theron will not.

The trip follows a hectic promotional schedule for Hemsworth, who has also juggled his Avengers commitments.

Hey, worldwide success can be rough.

Websites

Snow White and The Hunstman

NBC Universal

Universal Pictures (Australia)

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Eva Rinaldi Photography

Music News Australia

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Friday, May 18, 2012

An Officer and a Gentleman The Musical To Play Sydney Lyric Theatre, The Star - 18th May 2012

Profiles

The Star Echo Entertainment Casinos Clubs Theatre Sydney Australia


Tonight of An Officer and a Gentleman enjoyed its Sydney, Australia premiere at The Star's Lyric Theatre at Ultimo.

The red carpet premiere was well attended by media and celebrities, and its understood the production is likely to match if not exceed the hype.

Producer John Frost said that more hard-won world premieres were in store.

"Not just Australian stories, but international stories that can be exported to international markets," Frost said.

Producers from Germany, South Korea, Canada, New York and London were at tonight's opening.

Frost said the $6 million budget for An Officer And A Gentleman was about half what it might have been if it was developed in New York or London.

"Things are just easier and cheaper here, and in New York and London, you're so far out of town (doing the set building) trying to get it right and get it fixed," he said.

Frost said the process of developing new musicals, as opposed to simply remounting a successful overseas version, would help build production skills for the creation of new musicals in the future.

"What this is doing is establishing people like (An Officer And A Gentleman) director Simon Phillips, his choreographer and his assistants, to do new stuff they're not used to doing, because they are used to doing stuff that's already been done and what we are trying to do is to broaden that experience so a lot more directors and a lot more writers get that opportunity," Frost added.

Later next year and early 2014 Frost expects to mount world premieres of Dream Lover: The Bobby Darin Show and Red Dog. His production of Doctor Zhivago is approaching the end of a six month-long run in Seoul and will then be mounted in New York.

The Media Man and Music News Australia agencies were overheard agreeing "Another world class production put on by The Star and Lyric Theatre".

The pitch:

A new musical based on the Paramount Pictures-Lorimar movie "An Officer and a Gentleman" written by Douglas Day Stewart

Music and lyrics by Ken Hirsch and Robin Lerner
Book by Douglas Day Stewart and Sharleen Cooper Cohen
Director Simon Phillips
Choreographer Andrew Hallsworth
Set and Costume Designer Dale Ferguson
Lighting Designer Matt Scott
Musical Director Dave Skelton
Associate Director Dean Bryant
Producers Sharleen Cooper Cohen and John Frost

In association with Paramount Pictures and Warner Bros Theatre Ventures

Based on the hugely successful Academy Award-winning film, this new production has been adapted for the stage by the original screen writer, Douglas Day Stewart and co-writer Sharleen Cooper Cohen, with music and lyrics by Kenny Hirsch and Robin Lerner. It will be produced by Sharleen Cooper Cohen and John Frost, and directed by Simon Phillips (Priscilla Queen of the Desert The Musical).

The talented cast that will bring this timeless story to life includes Ben Mingay (Jersey Boys) as Zack Mayo, the classic angry young man who grew up in a "sewer" and dreams of flying jets and parlaying this skill into a better life; Amanda Harrison (Wicked) as Paula Pokrifki, the young factory worker who dreams of becoming a nurse and finding a better life without selling out for it, like everyone around her; Kate Kendall (Next to Normal) as Lynette Pomeroy, Paula's best friend who is determined to marry a flier to escape her dead end life, no matter what it takes; and Alex Rathgeber (The Phantom of the Opera) as Sid Worley, the likeable Okie son of a Navy Admiral who is the class "superstar" at the Naval Academy.

A hit across the ages, the 1982 film has become a phenomenon in cinema history, recently listed by the American Film Institute as one of the top ten love stories in cinema history. Featuring the iconic hit song "Up Where We Belong" and a new score by hit song writer Ken Hirsch and Grammy nominee Robin Lerner this timeless tale of struggle, success, friendship and love promises to be the musical blockbuster of 2012.

An Officer and a Gentleman is a triumphant story of working class heroes surviving great tests; a classic modern day love story about a working class boy and girl who must overcome their upbringing and personal weaknesses to accept life and love.

His Story, Her Romance.

Websites

An Officer and a Gentleman - The Musical official website

The Star

Sydney Lyric Theatre

Echo Entertainment

Eva Rinaldi Photography Flickr

Eva Rinaldi Photography

Music News Australia

Media Man News

Casino News Media

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Media Man Entertainment